“…I just let that paint fly on…”

Notice Bill’s palette knife technique. He is allowing the paint to be pulled off the knife onto the canvas. There is no heavy pressure on the knife, just a delicate, light  touch. The paint is thick enough, and the under layer is thin enough, that the two layers to work together beautifully.

This is a technique well worth practicing if you want your mountains to show that beautiful breaking pattern of the paint. Like a fingerprint, your mountains will be unique. And we know that uniqueness sells!